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Course Title: |
FECR-I ATI PERIOD TEXTS |
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Course Code: |
TDE3031 |
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Type of Course: |
Optional |
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Level of Course: |
First Cycle |
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Year of Study: |
3 |
6 |
Semester: |
5 |
7 |
ECTS Credits Allocated: |
4 |
8 |
Theoretical (hour/week): |
2 |
9 |
Practice (hour/week) : |
0 |
10 |
Laboratory (hour/week) : |
0 |
11 |
Prerequisites: |
... |
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Recommended optional programme components: |
None |
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Language: |
Turkish |
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Mode of Delivery: |
Face to face |
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Course Coordinator: |
Dr. Ögr. Üyesi MUSTAFA ÜSTÜNOVA |
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Course Lecturers: |
Yard. Doç.Dr. Mustafa ÜSTÜNOVA |
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Contactinformation of the Course Coordinator: |
E- Posta: ustunovam@yahoo.com Tel: 0 224 294 18 15 Adres: Uludağ Üniversitesi Fen-Edebiyat Fakültesi Türk Dili ve Edebiyatı Bölümü E Blok Kat: 2 Oda Nu: 140 P.K.: 16059 Görükle / Nilüfer / Bursa / TÜRKİYE |
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Website: |
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Objective of the Course: |
Learn about information Fecr-i Âti poetry; explain the effect of Fecr-i Âti poetry to our literature; grasp of the aesthetics of poetry of Ahmet Haşim, to interpret the poem with the social, political, economic, cultural events; "Self Poetry" to achieve the subtleties of movement; establish a link between Fecr-i Âti poetry and symbolism;Fecr-i Âti poetry to highlight the contributions of later periods; |
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Contribution of the Course to Professional Development |
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Week |
Theoretical |
Practical |
1 |
Fecr-i Âti community organization and distribution |
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2 |
Declaration of Fecr-i Âti |
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3 |
Examination of the poem by “Bir Günün Sonunda Arzu” |
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4 |
Ahmet Haşim: Clarity and meaning in poetry |
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5 |
Interpretation of the symbolism of decades with Ahmet Hasim’s poems |
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6 |
Examination of the poems by “Merdiven” , “Yarıyol” |
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7 |
Examination of the poem by “Ölmek”
Midterm exam |
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8 |
Examination of the poem by “Çıktığın Geceler” |
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9 |
Examination of the poem by “O” |
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10 |
Examination of the poem by “Sensiz” |
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11 |
Examination of the poem by “Hasta İken” |
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12 |
Examination of the poem by “Çöller” |
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13 |
Examination of the poem by “Nehir Üzerinde” |
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14 |
Examination of the poem by “Zulmet” , “Aks-ı Sada” |
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