1 | Course Title: | ROLE AND CLASSICAL SINGLE PLOTS |
2 | Course Code: | GS02001 |
3 | Type of Course: | Compulsory |
4 | Level of Course: | First Cycle |
5 | Year of Study: | 2 |
6 | Semester: | 3 |
7 | ECTS Credits Allocated: | 5 |
8 | Theoretical (hour/week): | 2 |
9 | Practice (hour/week) : | 2 |
10 | Laboratory (hour/week) : | 0 |
11 | Prerequisites: | none |
12 | Recommended optional programme components: | None |
13 | Language: | Turkish |
14 | Mode of Delivery: | Face to face |
15 | Course Coordinator: | Öğr.Gör. MURAT LİMAN |
16 | Course Lecturers: | yok |
17 | Contactinformation of the Course Coordinator: | altuggorgu@uludag.edu.tr 02245431015, U.Ü. Güzel Sanatlar Fakültesi, Mudanya/Bursa |
18 | Website: | |
19 | Objective of the Course: | This is a Course which aims at showing how to do role-preparetion. By this way it also aims at helping the student to understand the spiritual and corporal relation between role and actor/actress and fictive subtext of the play. This is the second phase of acting lessons. |
20 | Contribution of the Course to Professional Development |
21 | Learning Outcomes: |
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22 | Course Content: |
Week | Theoretical | Practical |
1 | Methods of approaching a role | Agamemnon “Sentinel” tirade |
2 | Role Play relationship | Agamemnon “Sentinel” tirade |
3 | Differences of approach from the External Action to the Internal Action, or from theInternal Action to theExternal Action. | King Oidipus “Messenger” tirade |
4 | Differences of approach from the External Action to the Internal Action, or from theInternal Action to theExternal Action. | King Oidipus “Messenger” tirade |
5 | Emotion (Enthusiasm) Memory– role relationship | Girls : Antigone “Antigone” tirade, Boys : King Oidipus “Oidipus” tirade |
6 | General Assessment (Mid-term exam) | Girls : Antigone “Antigone” tirade, Boys : King Oidipus “Oidipus” tirade |
7 | Sub text, differences of orientation, | Girls : Antigone “Antigone” tirade, Boys : King Oidipus “Oidipus” tirade |
8 | The targets and obstacles of the role, the reflection of all these on the role | From the play Hamlet,boys “Hamlet”boys; girls: “Ophelia” |
9 | Repetition of the studies within the term | From the play Hamlet,boys “Hamlet”boys; girls: “Ophelia” |
10 | Repetition of the studies within the term | From the play Macbeth boys “Macbeth” girls“Lady Macbeth” |
11 | From the play Macbeth boys “Macbeth” girls“Lady Macbeth” | |
12 | Watching the parts practiced | |
13 | Watching the parts practiced | |
14 |
23 | Textbooks, References and/or Other Materials: |
• -Konstantin S. STANİSLAVSKİ “Bir Karakter Yaratmak”, Çev: Suat TAŞER, Papirüs Yayınları, İstanbul 1996. • -Konstantin S. STANİSLAVSKİ, “Bir Aktör Hazırlanıyor”, Çev: Suat TAŞER, Papirüs Yayınları, İstanbul 1996. • -Konstantin S. STANİSLAVSKİ, “Bir Rol Yaratmak”, Boğaziçi Üniversitesi Yayınları, İstanbul 1999. |
24 | Assesment |
TERM LEARNING ACTIVITIES | NUMBER | PERCENT |
Midterm Exam | 1 | 40 |
Quiz | 0 | 0 |
Homeworks, Performances | 0 | 0 |
Final Exam | 1 | 60 |
Total | 2 | 100 |
Contribution of Term (Year) Learning Activities to Success Grade | 40 | |
Contribution of Final Exam to Success Grade | 60 | |
Total | 100 | |
Measurement and Evaluation Techniques Used in the Course | ||
Information |
25 | ECTS / WORK LOAD TABLE |
Activites | NUMBER | TIME [Hour] | Total WorkLoad [Hour] |
Theoretical | 14 | 2 | 28 |
Practicals/Labs | 14 | 2 | 28 |
Self Study and Preparation | 25 | 3 | 75 |
Homeworks, Performances | 0 | 2 | 6 |
Projects | 5 | 1 | 5 |
Field Studies | 0 | 0 | 0 |
Midtermexams | 1 | 4 | 4 |
Others | 0 | 0 | 0 |
Final Exams | 1 | 4 | 4 |
Total WorkLoad | 150 | ||
Total workload/ 30 hr | 5 | ||
ECTS Credit of the Course | 5 |
26 | CONTRIBUTION OF LEARNING OUTCOMES TO PROGRAMME QUALIFICATIONS | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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LO: Learning Objectives | PQ: Program Qualifications |
Contribution Level: | 1 Very Low | 2 Low | 3 Medium | 4 High | 5 Very High |