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Course Title: |
ANALYSIS OF EPIC PLAYS |
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Course Code: |
GSY4008 |
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Type of Course: |
Compulsory |
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Level of Course: |
First Cycle |
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Year of Study: |
4 |
6 |
Semester: |
8 |
7 |
ECTS Credits Allocated: |
2 |
8 |
Theoretical (hour/week): |
2 |
9 |
Practice (hour/week) : |
0 |
10 |
Laboratory (hour/week) : |
0 |
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Prerequisites: |
none |
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Recommended optional programme components: |
None |
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Language: |
Turkish |
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Mode of Delivery: |
Face to face |
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Course Coordinator: |
Dr. Ögr. Üyesi BANU ÇAKMAK DUMAN |
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Course Lecturers: |
yok |
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Contactinformation of the Course Coordinator: |
bcakmak@uludag.edu.tr, 0 224, 543 10 15, U. Ü. Güzel Sanatlar Fakültesi, Mudanya /Bursa |
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Website: |
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Objective of the Course: |
The aim of the Course is to teach what kind of features a play text has in terms of abstract and form and how to deal with the play text analytically as an artist by evaluating in terms of its writer and period. The course aims to make students get the level to discuss artistic quality of any play. In this context, the texts dealt with were written in modern period and are examined under the title counter-reality? |
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Contribution of the Course to Professional Development |
Analytical approach to epic play texts |
Week |
Theoretical |
Practical |
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The political, cultural and historical conditions establishing absurd theatre and the general features of the movement |
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Analysis of the play “Balcony” by Jean Genet’ |
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Analysis of the play “Balcony” by Jean Genet’: title, play fact?, absurd components, main idea |
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The Analysis of the play “When waitngGodot” by Samuel Beckett: writer, plot, characters, type-form features |
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The Analysis of the play “When waiting Godot” by Samuel Beckett:: absurd components, comment and discussion, meaning |
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dramaturgic features of epic theatre the leader of which is Bertol, player’s approach to text in epic playing? |
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Analysis of the play “ÜçKuruşluk Opera” by Brecht: writer, plot, characters, type-form features |
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Analysis of the play “ÜçKuruşluk Opera” by Brecht: writer, plot, characters, type-form features |
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Analysis of the play “ÜçKuruşluk Opera” by Brecht: foreignizing components, epic elements, idea |
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Analysis of the play”KafkasTebeşirDairesi”by Brecht : writer, plot, characters, type-form features |
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Analysis of the play”KafkasTebeşirDairesi”by Brecht :foreigning components? , epic elements, idea |
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The Analysis of the play “The House of Bernarda Alba: writer, Spain theatre, the conditions of Spain, characters, episodes, form features, main idea |
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The Analysis of the play “BirAnarşistinKazaSonucuÖlümü“by Dario Fo: writer, Italian theatre, concept of public theatre ? and text, episodes, characters, form features, main idea |
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Analysis of the short plays “BirTekDaha and DağDili” by Harold Pinter : writer, episodes, characters, form features, main idea |
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Textbooks, References and/or Other Materials: |
Schiller, Lessing, Goethe, Hugo, Ibsen, Strindberg, Büchner, Çehov, Shaw; Namık Kemal’s, Âli Bey’s, Reşat Nuri’s, İ.Hakkı Baltacıoğlu’s, T. Özakman’s , H. Taner’s, A. Ağaoğlu’s prime plays |
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Assesment |
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