1	Course Title:	ILLUMINATION DESIGN I
2	Course Code:	GTS2101
3	Type of Course:	Compulsory
4	Level of Course:	First Cycle
5	Year of Study:	2
6	Semester:	3
7	ECTS Credits Allocated:	7
8	Theoretical (hour/week):	2
9	Practice (hour/week) :	4
10	Laboratory (hour/week) :	0
11	Prerequisites:	None
12	Recommended optional programme components:	None
13	Language:	Turkish
14	Mode of Delivery:	Face to face
15	Course Coordinator:	Dr. Ögr. Üyesi Ebru KARAHAN DALBAŞ
16	Course Lecturers:	yok
17	Contactinformation of the Course Coordinator:	Ebru Karahan Dalbaş ebrudalbas@uludag.edu.tr Bursa Uludağ Üniversitesi Güzel Sanatlar Fakültesi Geleneksel Türk Sanatları Bölümü Görükle Kampüsü/BURSA
18	Website:
19	Objective of the Course:	.The aim is for students to learn the types of pattern compositions, create their own pattern designs, and group and draw the inner molding from the edge decorations.
20	Contribution of the Course to Professional Development	Students can create original pattern designs.

21

Learning Outcomes:

1 Learn the important points to be considered when drawing patterns in the art of illumination;; 2 Learn the types of composition: Free, symmetrical (straight symmetrical / reverse symmetrical), çark-ı felek, rapport, rumili and geometric composition.; 3 Can analyze patterns.; 4 Can design with free, symmetrical, and çark-ı felek style compositions.; 5 Be able to define the edge decorations applied in decorative arts and group the edge decorations.; 6 Can apply single strip and ribbon (worm) interlacing, which are among the edge decorations applied in decorative arts.; 7 Can define and apply auxiliary elements such as ruler, thread, lamb used in decorative arts;

22	Course Content:

Week	Theoretical	Practical
1	Explanation of the general characteristics of Turkish decorative art.	Definition of auxiliary elements such as ruler, thread, lamb used in decorative arts
2	Explanation of important points to be considered when drawing patterns in the art of illumination.	Placing a helix within a specific area.
3	Grouping of composition types.	Placing hatayi group motif on the spiral.
4	Explanation of free composition drawing.	Making pattern design in free composition type.
5	Explanation of the points to be considered in free composition drawing.	Continuing the same practice.
6	Explanation of the points to be considered in free composition drawing.	Analysis of the pattern drawn in the flat symmetrical composition type from the symmetrical composition type.
7	Explanation of the anti-symmetrical composition type from the symmetrical composition type.	Analysis and design of the pattern drawn in the reverse symmetrical composition type, which is a symmetrical composition type.
8	Explanation of the çark-ı felek style composition type	Analysis of the composition in the style of the çark-ı felek.
9	Explanation of motif groups where the wheel of fortune style composition type is used	Making pattern design in the çark-ı felek style composition type.
10	Definition and grouping of edge decorations applied in decorative arts.	Application of single strip interfacing from edge decorations.
11	Theoretical explanation of single strip arasuyu from edge decorations.	Continuing the same practice.
12	Theoretical explanation of the worm (ribbon) arasuyu from edge decorations.	Application of ribbon (worm) interstitial water from edge decorations
13	Explanation of the usage areas of edge decorations.	Applying the drawn lines onto tracing paper with a rapido pen.
14	Definition of auxiliary elements such as ruler, thread, lamb used in decorative arts	Ribbon (worm) application from the edge decorations.

23	Textbooks, References and/or Other Materials:	Birol, İnci A. and Derman, Çiçek, Motifs in Turkish Decoration Arts, Istanbul, Kubbealtı Publications, 2022. Birol, İnci A, Pattern Design, Drawing Techniques and Types in Turkish Decoration Arts, Istanbul, Kubbealtı Publications, 2009. Derman, Çiçek, Feyzullah Dayıgil, the Man Who Revived Turkish Decoration, İstanbul, Kubbealtı Publications, 2021. Derman, Çiçek, Rikkat Kunt Hoca Hanım, Istanbul, Kubbealtı Publications, 2021. Duran, Gülnur, Illumination and Rugani Master Flower Painter Ali Üsküdârî, Istanbul, Kubbealtı Publications, 2008. Dalbaş, Ebru Karahan, The Period of Sultan Selim III in the Art of Book Illumination, Unpublished Proficiency in Art Thesis, Istanbul, MU Fine Arts Institute, 2017.
24	Assesment

TERM LEARNING ACTIVITIES	NUMBER	PERCENT
Midterm Exam	1	40
Quiz	0	0
Homeworks, Performances	0	0
Final Exam	1	60
Total	2	100
Contribution of Term (Year) Learning Activities to Success Grade		40
Contribution of Final Exam to Success Grade		60
Total		100
Measurement and Evaluation Techniques Used in the Course	practice studies and written exam
Information

25

ECTS / WORK LOAD TABLE

Activites	NUMBER	TIME [Hour]	Total WorkLoad [Hour]
Theoretical	14	2	28
Practicals/Labs	14	4	56
Self Study and Preparation	14	1	14
Homeworks, Performances	0	2	28
Projects	14	2	28
Field Studies	14	1	14
Midtermexams	1	25	25
Others	0	0	0
Final Exams	1	20	20
Total WorkLoad			213
Total workload/ 30 hr			7,1
ECTS Credit of the Course			7

26	CONTRIBUTION OF LEARNING OUTCOMES TO PROGRAMME QUALIFICATIONS
PQ1 PQ2 PQ3 PQ4 PQ5 PQ6 PQ7 PQ8 PQ9 PQ10 PQ11 PQ12 PQ13 PQ14 PQ15 PQ16 LO1 2 3 4 5 4 3 2 5 4 5 3 3 4 5 3 4 LO2 5 2 4 3 5 5 5 3 3 3 4 3 4 2 3 4 LO3 3 2 5 3 2 4 3 2 1 5 4 2 3 3 4 4 LO4 2 3 3 4 5 2 3 3 4 4 3 2 2 4 5 5 LO5 2 3 4 3 5 3 4 4 4 5 3 5 4 3 4 4 LO6 3 3 3 4 5 4 3 5 2 3 3 4 4 3 3 3 LO7 3 4 5 2 5 3 4 3 5 3 4 4 3 3 3 5

LO: Learning Objectives

PQ: Program Qualifications

Contribution Level:

1 Very Low

2 Low

3 Medium

4 High

5 Very High