Türkçe English Rapor to Course Content
COURSE SYLLABUS
MUSICAL FORMS AND ANALYSIS
1 Course Title: MUSICAL FORMS AND ANALYSIS
2 Course Code: YAY5118
3 Type of Course: Optional
4 Level of Course: Second Cycle
5 Year of Study: 1
6 Semester: 2
7 ECTS Credits Allocated: 4
8 Theoretical (hour/week): 2
9 Practice (hour/week) : 0
10 Laboratory (hour/week) : 0
11 Prerequisites:
12 Recommended optional programme components: None
13 Language: Turkish
14 Mode of Delivery: Face to face
15 Course Coordinator: Prof. Gökçe ALTAY ARTAR
16 Course Lecturers: Prof.Gökçe ALTAY ARTAR
17 Contactinformation of the Course Coordinator: B.U.Ü.Devlet Konservatuvarı
altaygokce@uludag.edu.tr
0 224 294 27 48
18 Website:
19 Objective of the Course: To investigate different post-tonal forms and genres in relation to post-tonal techniques.
20 Contribution of the Course to Professional Development To be equipped about musical structure integrity.
21 Learning Outcomes:
1 To obtain knowledge of form and genre of post-tonally organized works of the performance repertoire.;
2 To be able to interpret form and genre of post-tonally organized works of the performance repertoire.;
3 To be able to recognize different styles and forms of post-tonally organized works of the performance repertoire.;
4 To be able to make research on form of post- tonally organized works of the performance repertoire.;
5 To be able to evaluate the gathered info as text material on the topics of form and genre of post- tonally organized works of the performance repertoire.;
6 To be able to make comparative analysis of different forms and genres of post-tonally organized works of the performance repertoire.;
22 Course Content:
Week Theoretical Practical
1 The concept of post-tonality
2 The transformation of dissonance perception and technique
3 Post-tonal theory
4 Post-tonal works of the selected repertoire (Fin de siècle-1914)
5 Post-tonal works of the selected repertoire (Serialism and after until 1945)
6 Study of post-tonal theory and analysis of the selected repertoire
7 Atonality and Expression
8 Atonality and Form
9 Analysis of the selected atonal repertoire (pre-1945)
10 The concept of modality in 20th and 21st centuries
11 Form and genre in the context of modality
12 Analysis of modal works of the selected repertoire
13 The modernist approaches upon form and genre
14 Examples of selected modern repertoire (after 1945)
23 Textbooks, References and/or Other Materials: 1. Strauss Joseph N. Introduction to Post Tonal Theory. Second Ed., Prentice Hall. 2000.
24 Assesment
TERM LEARNING ACTIVITIES NUMBER PERCENT
Midterm Exam 1 40
Quiz 0 0
Homeworks, Performances 0 0
Final Exam 1 60
Total 2 100
Contribution of Term (Year) Learning Activities to Success Grade 40
Contribution of Final Exam to Success Grade 60
Total 100
Measurement and Evaluation Techniques Used in the Course Assignment/written exam.
Information Assignment in the article form and/or open-ended written exam.
25 ECTS / WORK LOAD TABLE
Activites NUMBER TIME [Hour] Total WorkLoad [Hour]
Theoretical 14 2 28
Practicals/Labs 0 0 0
Self Study and Preparation 13 5 65
Homeworks, Performances 0 0 0
Projects 0 0 0
Field Studies 0 0 0
Midtermexams 1 10 10
Others 0 0 0
Final Exams 1 15 15
Total WorkLoad 118
Total workload/ 30 hr 3,93
ECTS Credit of the Course 4
26 CONTRIBUTION OF LEARNING OUTCOMES TO PROGRAMME QUALIFICATIONS
PQ1 PQ2 PQ3 PQ4 PQ5 PQ6 PQ7 PQ8 PQ9 PQ10 PQ11 PQ12
LO1 1 1 5 3 1 1 1 1 2 1 1 1
LO2 1 1 5 5 1 3 1 2 1 1 2 1
LO3 4 1 2 1 1 1 1 1 1 1 2 1
LO4 4 1 3 2 1 1 1 2 1 1 1 2
LO5 1 2 2 1 1 1 1 2 1 1 2 1
LO6 4 1 5 1 1 2 1 1 2 1 1 1
LO: Learning Objectives PQ: Program Qualifications
Contribution Level: 1 Very Low 2 Low 3 Medium 4 High 5 Very High
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