COURSE SYLLABUS

PRINTMAKING

1	Course Title:	PRINTMAKING
2	Course Code:	RSM5105
3	Type of Course:	Optional
4	Level of Course:	Second Cycle
5	Year of Study:	1
6	Semester:	1
7	ECTS Credits Allocated:	4
8	Theoretical (hour/week):	2
9	Practice (hour/week) :	0
10	Laboratory (hour/week) :	0
11	Prerequisites:	none
12	Recommended optional programme components:	None
13	Language:	Turkish
14	Mode of Delivery:	Face to face
15	Course Coordinator:	Prof. Ahmet Şinasi İşler
16	Course Lecturers:
17	Contactinformation of the Course Coordinator:	sinasi@uludag.edu.tr, 0 506 3083931, Bursa Uludag Üniversitesi, Güzel Sanatlar Fakültesi, Resim Bölümü, Görükle Kampüsü / BURSA
18	Website:
19	Objective of the Course:	This course involves intermediate problems in printmaking with emphasis on individual expression based on historical as well as contemporary concerns and approaches in art. Through brief lecture, demonstrations or practice, students will produce a consistent edition of eight different printmaking processes: monoprint, collagraph, linocut, woodcut, etching, engraving, drypoint and mezzotint.
20	Contribution of the Course to Professional Development	It integrates the experience gained with original printmaking techniques and methods with an interdisciplinary approach to artistic expression skills within the scope of painting.

Learning Outcomes:

1	Using the right equipment and materials, workshops and efficient working habits.;
2	Have technical, material and equipment knowledge about mono and silk printing.;
3	It produces quality and original prints by using mono and silk printing technique.;
4	Have technical, material and equipment knowledge about colograph and linoleum printing.;
5	Produces quality and original prints by using the Kolograg and Linol printing technique.;
6	Have technical, material and equipment knowledge related to wood printing.;
7	Produces qualified and original prints using wood printing technique.;
8	Have knowledge of technique, materials and equipment related to Pit Printing (Line engraving, resinization, mezzotint and dry scraping).;
9	Produces qualified and original prints using the intaglio Printing technique.;

22	Course Content:

Week	Theoretical	Practical
1	Introductıon to course, course requırements, studio procedures History of printmaking, process description and vocabulary A. Review proper use of equipment, materials, and supplies B. Review safe studio procedures C. Identify and develop productive work habits, including completing projects, maintaining the studio environment, and responding to supervision
2	Monoprinting Project 1: Monoprinting
3	Screen Print Project 2: Colored Screen Prints from two pattern, edition of five
4	Screen Print Project 2: Colored Screen Prints from two pattern, edition of five
5	Collagraphy Project 3: Black and white collagraph, one each relief, intaglio and embossing
6	Collagraphy Project3: Black and white collagraph, one each relief, intaglio and embossing
7	Linocut Project 4: Linocuts (2), one black and white, one color reduction Five good prints of each
8	Linocut Project 4: Linocuts (2), one black and white, one color reduction Five good prints of each
9	Woodcut Project 5: Woodcut, one achromatic print, edition of five
10	Woodcut Project 5: Woodcut, one achromatic print, edition of five
11	Intaglio (Engraving+ Etching + Drypoint) Project 6: Intaglio printing processes Drypoint/engraving etching, final edition of five
12	Intaglio (Engraving+ Etching + Drypoint) Project 6: Intaglio printing processes Drypoint/engraving etching, final edition of five
13	Intaglio (Mezzotint + Drypoint) Project 6: Intaglio printing processes Mezzotint, final edition of five
14	Intaglio (Mezzotint + Drypoint) Project 6: Intaglio printing processes Mezzotint, final edition of five

23	Textbooks, References and/or Other Materials:	Donald Saff and Deli Sacilotto, Printmaking, U.S.A.: Wadsworth, 1978 Ruth Leaf, Etching Engraving and Other Intaglio Printmaking Techniques, Dover, New York: 1976. Beckford, John: New Media in Printmaking. New York: Watson-Guptill, 1976. Capon, Robin: Introducing Abstract Printmaking. New York: Watson-Guptill, 1973. Daniels, Harvey: Printmaking. New York: Viking Press, 1971. Dawson, John eds.: The Complete Guide to Printmaking Techniques and Material. New York: Crown Publishers, 1977. Epplink, Norman: 101 Prints. University of Oklahoma Press, 1971. Geske, Norman: Rudy Pozzatti American Printmaker. Lawrence, Kansas: University of Kansas Press, 1971. Green, Peter: New Creative Printmaking. New York: Watson-Guptill, 1965. Heller, Jules. Printmaking Today. New York: Holt, 1958. Johnson, Una E. American Prints and Printmakers. Garden City, New York: Doubleday and Company, 1980. Lasansky, Maurici. Lasanaky Printmaker. Iowa city, Iowa: University of Iowa Press, 1975. Maxwell, William C. Printmaking. Englewood Cliffs, New Jersey: Prentice Hall Newman, Thelma. Innovative Printmaking. New York: Crown, 1977. Romano, Ross and Clare Romano; The Complete Printmaker. New York: Macmillan, 1972. Russ, Stephen: A Complete Guide to Printmaking. New York: Viking, 1975. Saff, Donald. Printmaking: History and Processes. New York: Holt, Rinehart and Winston, 1978.
24	Assesment

TERM LEARNING ACTIVITIES	NUMBER	PERCENT
Midterm Exam	0	0
Quiz	0	0
Homeworks, Performances	0	0
Final Exam	1	100
Total	1	100
Contribution of Term (Year) Learning Activities to Success Grade		0
Contribution of Final Exam to Success Grade		100
Total		100
Measurement and Evaluation Techniques Used in the Course	Theoretical exam and homework
Information	Basic terms and concepts in the context of workshop practices, historical development process, exemplary artist and practices, technical developments etc. theoretical exam within the scope of the student's artistic experience. Collective evaluation of the artistic production process, assignments and results products within the scope of workshop applications.

ECTS / WORK LOAD TABLE

Activites	NUMBER	TIME [Hour]	Total WorkLoad [Hour]
Theoretical	14	2	28
Practicals/Labs	0	0	0
Self Study and Preparation	1	14	14
Homeworks, Performances	0	5	40
Projects	1	23	23
Field Studies	0	0	0
Midtermexams	0	0	0
Others	0	0	0
Final Exams	1	15	15
Total WorkLoad			120
Total workload/ 30 hr			4
ECTS Credit of the Course			4

CONTRIBUTION OF LEARNING OUTCOMES TO PROGRAMME QUALIFICATIONS

	PQ1	PQ2	PQ3	PQ4	PQ5	PQ6	PQ7	PQ8	PQ9	PQ10	PQ11	PQ12
LO1	4	2	3	2	4	4	2	2	2	3	2	2
LO2	3	3	4	3	3	4	5	3	4	3	2	4
LO3	2	2	4	3	3	5	5	3	4	3	2	4
LO4	3	3	3	4	4	3	5	3	3	4	3	5
LO5	3	3	3	4	3	3	5	3	3	5	2	5
LO6	2	3	3	4	4	4	4	3	3	3	2	4
LO7	2	3	3	2	3	3	4	3	4	3	2	4
LO8	2	3	2	2	3	3	4	4	4	3	3	5
LO9	0	0	0	0	0	0	0	0	0	0	0	0
LO10	0	0	0	0	0	0	0	0	0	0	0	0

LO: Learning Objectives

PQ: Program Qualifications

Contribution Level:

1 Very Low

2 Low

3 Medium

4 High

5 Very High