| 1 | Course Title: | BAGLAMA TRAINING II |
| 2 | Course Code: | MUZ2206 |
| 3 | Type of Course: | Compulsory |
| 4 | Level of Course: | First Cycle |
| 5 | Year of Study: | 2 |
| 6 | Semester: | 4 |
| 7 | ECTS Credits Allocated: | 1 |
| 8 | Theoretical (hour/week): | 1 |
| 9 | Practice (hour/week) : | 0 |
| 10 | Laboratory (hour/week) : | 0 |
| 11 | Prerequisites: | |
| 12 | Recommended optional programme components: | None |
| 13 | Language: | Turkish |
| 14 | Mode of Delivery: | Face to face |
| 15 | Course Coordinator: | Dr. Ögr. Üyesi AYDIN ATALAY |
| 16 | Course Lecturers: | Murat Çoşkun |
| 17 | Contactinformation of the Course Coordinator: | Dr. Öğt. Üyesi M. Aydın Atalay aatalay@uludag.edu.tr |
| 18 | Website: | |
| 19 | Objective of the Course: | Recognizing various sequences and chords in the baglama, playing the studies providing technical development, applying different plectrum techniques and local plectrums, creating a repertoire for school music education. |
| 20 | Contribution of the Course to Professional Development | To be able to use Baglama instrument effectively in the field of teaching profession. |
| 21 | Learning Outcomes: |
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| 22 | Course Content: |
| Week | Theoretical | Practical |
| 1 | Types of chords and applications in baglama. | |
| 2 | Local plectrum and its types, applications. | |
| 3 | Rast (Müstezat) series and applications. | |
| 4 | Hicaz (Garip) series and applications. | |
| 5 | Kürdi (Bozlak) series and applications. | |
| 6 | Local plectrum and its types, applications. | |
| 7 | Turkic forms. | |
| 8 | Saba (Kalendereri) series and applications. | |
| 9 | Segah series and applications. | |
| 10 | Huzzam series and applications. | |
| 11 | Evc series and applications. | |
| 12 | Local plectrum and its types, applications. | |
| 13 | Local plectrum and its types, applications. | |
| 14 | Local plectrum and its types, applications. |
| 23 | Textbooks, References and/or Other Materials: |
ALİM Yaşar Kemal- Aydın Atalay “Baglama Method 1”, Actual Publications, 2004, Istanbul TAPTIK, Güray, Türküler with Notes and Attitudes, Çaba Yayıncılık, Ankara, 1972 SARISÖZEN, Muzaffer, Procedures in Turkish Folk Music, Mifad Publications, Ankara, 1970 YENER, Sabri, Baglama Teaching Method, Erhan Ofset Matbaacılık, Trabzon, 1991 ALTUĞ, Nevzat, Technical Baglama Training and Procedures, Anadolu Matbaacılık, İzmir, 1999 TURHAN, Salih, Various Views in Turkish Folk Music, Ministry of Culture Publications, Ankara, 1992 ÖZGÜL, Mustafa, TURHAN, Salih, DÖKMETAŞ, Kubilay, Our Long Weather with Notes, Ministry of Culture Publications, Ankara, 1996 GLOSSY, Erol, Method of Shelpe Technique, Ekin Publishing, Istanbul, 2001 BİRDOĞAN, Nejat, Our Songs with Notes, Özgür Publishing, Istanbul, 1988 TURAN, Bahattin, Our Samahs with their notes, Ekol Publishing, Izmir, 2000 TRT Turkish Folk Music Repertoire |
| 24 | Assesment |
| TERM LEARNING ACTIVITIES | NUMBER | PERCENT |
| Midterm Exam | 2 | 40 |
| Quiz | 0 | 0 |
| Homeworks, Performances | 0 | 0 |
| Final Exam | 1 | 60 |
| Total | 3 | 100 |
| Contribution of Term (Year) Learning Activities to Success Grade | 40 | |
| Contribution of Final Exam to Success Grade | 60 | |
| Total | 100 | |
| Measurement and Evaluation Techniques Used in the Course | Performance | |
| Information | relative | |
| 25 | ECTS / WORK LOAD TABLE |
| Activites | NUMBER | TIME [Hour] | Total WorkLoad [Hour] |
| Theoretical | 14 | 1 | 14 |
| Practicals/Labs | 0 | 0 | 0 |
| Self Study and Preparation | 14 | 1 | 14 |
| Homeworks, Performances | 0 | 0 | 0 |
| Projects | 0 | 0 | 0 |
| Field Studies | 0 | 0 | 0 |
| Midtermexams | 2 | 2 | 4 |
| Others | 0 | 0 | 0 |
| Final Exams | 1 | 1 | 1 |
| Total WorkLoad | 37 | ||
| Total workload/ 30 hr | 1,1 | ||
| ECTS Credit of the Course | 1 |
| 26 | CONTRIBUTION OF LEARNING OUTCOMES TO PROGRAMME QUALIFICATIONS | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| LO: Learning Objectives | PQ: Program Qualifications |
| Contribution Level: | 1 Very Low | 2 Low | 3 Medium | 4 High | 5 Very High |