Week |
Theoretical |
Practical |
1 |
Description of the cyclic Sonata form.
Haydn; “London Symphony”, No. 92
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2 |
Evolution of Sonata-Allegro. Main Theme and Subordinate theme functions. Importance of tonality. |
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3 |
Formal functions of Sonata-Allegro: Exposition
Mozart; Piano Sonata, KV. 576, D major, i
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4 |
Formal functions of Sonata-Allegro: Development
Beethoven; Piano Sonata, op.2, Nr.1, F minor, i
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5 |
Formal functions of Sonata-Allegro: Re-exposition and Coda.
Haydn; Piano Trio, Hob. XV:30, E-flat Major, i
Beethoven; Piano Sonata, Op.14, No.2, G Major, i
Haydn; Symphony No. 97, C Major, i (Coda)
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6 |
Analysis of the Classical Era Sonata-Allegro
Beethoven; Symphony No.4, B-flat Major, Op.60, i
Mozart; “Linz” Symphony, No.36, KV. 425, C Major, i
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7 |
Analysis of the Romantic Era Sonata-Allegro
Schubert; “Death and The Maiden”, String Quartet, D.810
R. Strauss; Symphony No.2, F minor, i
Mahler; Symphony No.1 (“Titan”), iii
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8 |
Further Analysis on Sonata-Allegro
Mozart; “The Dissonance” String Quartet, C Major, No.14, K.465, i
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9 |
Sonata-Allegro, Midterm exam |
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10 |
Formal Functions of Rondo: Refrain and Couplet
J.S. Bach; Violin Concerto; E minor, iii
Mozart; Piano Sonata, C Major, KV.545, iii
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11 |
Further analysis on Rondo |
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12 |
Features of Sonata-Rondo
Mozart; Piano Trio, B-flat Major, KV. 502, iii
Beethoven; String Quartet, F minor Op.95, No.11, iii
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13 |
Application of Da Capo Form on instrumental (Menuet-Trio-Menuet) and vocal music |
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14 |
Further analysis on the Sonata.
Beethoven; Coriolanus Overture
Mozart; Violin Sonata, B-flat Major, KV. 454, i
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23 |
Textbooks, References and/or Other Materials: |
1.Charles Rosen, “Sonata Forms”, Rev. Ed., Norton Company, NY, 1988 2.İlhan Usmanbaş, Müzik Biçimleri (MEB Yayınları 1963) 3.Charles Burkhart, Anthology for Musical Analysis, Postmodern Update. 6th Ed. (Schirmer 2007) 4.Nicholas Cook, A Guide to Musical Analysis. 1st Ed. (Oxford University Press, 1994) 5.William E. Caplin, “Classical Form”, Oxford University Press, 1998 |
24 |
Assesment |
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