COURSE SYLLABUS

EXPERIMENTAL PRINTMAKING

1	Course Title:	EXPERIMENTAL PRINTMAKING
2	Course Code:	RSM5106
3	Type of Course:	Optional
4	Level of Course:	Second Cycle
5	Year of Study:	1
6	Semester:	2
7	ECTS Credits Allocated:	4
8	Theoretical (hour/week):	2
9	Practice (hour/week) :	0
10	Laboratory (hour/week) :	0
11	Prerequisites:	-
12	Recommended optional programme components:	None
13	Language:	Turkish
14	Mode of Delivery:	Face to face
15	Course Coordinator:	Doç. Dr. SEZİN TÜRK KAYA
16	Course Lecturers:
17	Contactinformation of the Course Coordinator:	turkkaya@uludag.edu.tr Uludağ Üniversitesi, Güzel Sanatlar Fakültesi, Resim Bölümü, Görükle Kampüsü / BURSA
18	Website:
19	Objective of the Course:	This course involves intermediate problems in printmaking with emphasis on individual expression based on historical as well as contemporary concerns and approaches in art. Through brief lecture, demonstrations or practice, students will produce a consistent edition of eight different printmaking processes: monoprint, collagraph, linocut, woodcut, etching, engraving, drypoint and mezzotint.
20	Contribution of the Course to Professional Development

Learning Outcomes:

1	Clarify the definition, history and developing periods of printmaking.;
2	Produce unique and qualified prints using mono-print and High-printmaking techniques together .;
3	Produce prints using ready natural or artificial surfaces with high-printmaking technique.;
4	Produce unique and qualified prints using ready natural or artificial surfaces with intaglio-printmaking technique.;
5	Produce unique and qualified prints by experimental studies using plates made of hard surfaces of organic or inorganic materials.;
6	Generate a unique style using traditional printmaking techniques and computer-aided design techniques both.;

22	Course Content:

Week	Theoretical	Practical
1	Introductıon to course, course requırements, studio procedures History of printmaking, process description and vocabulary A. Review proper use of equipment, materials, and supplies B. Review safe studio procedures C. Identify and develop productive work habits, including completing projects, maintaining the studio environment, and responding to supervision
2	Monoprinting + Engraving
3	Monoprinting + Engraving
4	Engraving + Etching
5	Engraving + Etching
6	Use available Surface for Printmaking Techniques
7	Use available Surface for Printmaking Techniques
8	Prepaere plate for experimantal printmaking
9	Use different plate for printmaking experiments
10	Use different plate for printmaking experiments
11	Use different plate for printmaking experiments
12	Use different plate for printmaking experiments
13	Computer Aided Printmaking Experiments
14	Computer Aided Printmaking Experiments

23	Textbooks, References and/or Other Materials:	Donald Saff and Deli Sacilotto, Printmaking, U.S.A.: Wadsworth, 1978 Ruth Leaf, Etching Engraving and Other Intaglio Printmaking Techniques, Dover, New York: 1976. Beckford, John: New Media in Printmaking. New York: Watson-Guptill, 1976. Capon, Robin: Introducing Abstract Printmaking. New York: Watson-Guptill, 1973. Daniels, Harvey: Printmaking. New York: Viking Press, 1971. Dawson, John eds.: The Complete Guide to Printmaking Techniques and Material. New York: Crown Publishers, 1977. Epplink, Norman: 101 Prints. University of Oklahoma Press, 1971. Geske, Norman: Rudy Pozzatti American Printmaker. Lawrence, Kansas: University of Kansas Press, 1971. Green, Peter: New Creative Printmaking. New York: Watson-Guptill, 1965. Heller, Jules. Printmaking Today. New York: Holt, 1958. Johnson, Una E. American Prints and Printmakers. Garden City, New York: Doubleday and Company, 1980. Lasansky, Maurici. Lasanaky Printmaker. Iowa city, Iowa: University of Iowa Press, 1975. Maxwell, William C. Printmaking. Englewood Cliffs, New Jersey: Prentice Hall Newman, Thelma. Innovative Printmaking. New York: Crown, 1977. Romano, Ross and Clare Romano; The Complete Printmaker. New York: Macmillan, 1972. Russ, Stephen: A Complete Guide to Printmaking. New York: Viking, 1975. Saff, Donald. Printmaking: History and Processes. New York: Holt, Rinehart and Winston, 1978.
24	Assesment

TERM LEARNING ACTIVITIES	NUMBER	PERCENT
Midterm Exam	0	0
Quiz	0	0
Homeworks, Performances	0	0
Final Exam	1	100
Total	1	100
Contribution of Term (Year) Learning Activities to Success Grade		0
Contribution of Final Exam to Success Grade		100
Total		100
Measurement and Evaluation Techniques Used in the Course
Information

ECTS / WORK LOAD TABLE

CONTRIBUTION OF LEARNING OUTCOMES TO PROGRAMME QUALIFICATIONS

LO: Learning Objectives

PQ: Program Qualifications

Contribution Level:

1 Very Low

2 Low

3 Medium

4 High

5 Very High