1 | Course Title: | SPECIAL TEACHING METHODS I |
2 | Course Code: | EBB3004 |
3 | Type of Course: | Compulsory |
4 | Level of Course: | First Cycle |
5 | Year of Study: | 3 |
6 | Semester: | 6 |
7 | ECTS Credits Allocated: | 5 |
8 | Theoretical (hour/week): | 2 |
9 | Practice (hour/week) : | 2 |
10 | Laboratory (hour/week) : | 0 |
11 | Prerequisites: | - |
12 | Recommended optional programme components: | None |
13 | Language: | Turkish |
14 | Mode of Delivery: | Face to face |
15 | Course Coordinator: | Doç.Dr. SEZEN ÖZEKE |
16 | Course Lecturers: | - |
17 | Contactinformation of the Course Coordinator: |
E-posta: sezenozeke@uludag.edu.tr Tel: 224-294-0945 Adres: Uludağ Üniversitesi Eğitim Fakültesi Müzik Eğitimi ABD Görükle, Bursa 16059 |
18 | Website: | |
19 | Objective of the Course: | This course has been provided to help students improve teaching skills and techniques. The purpose of this course is to give insight for the aimed teaching learning environments and help in gaining different points of views. The main goal of the course is to help students improve teaching skills and techniques that will contribute to their careers and development as music teachers, to make it possible for them to develop their own thinking methods for different teaching and learning environments and to present the source that can provide the students with the meaningful music environments in terms of teaching skills and techniques. |
20 | Contribution of the Course to Professional Development |
21 | Learning Outcomes: |
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22 | Course Content: |
Week | Theoretical | Practical |
1 | Giving brief information on music lesson teaching methods | Group cohesion, introduction to the course, meeting and cohesion games played to draw attention to the lesson and to gather concentration |
2 | Discussion on subjects as music education in our country, general music education system, new program concept in our country, the philosophy of music programs in our country, the content of music lesson, what should music teacher do in class in line with the primary and secondary education music system, what do we expect from music knowledge, skills and education, the goals of music education and how should music be taught in the light of these goals | Performing applied activities reinforcing the “learning by doing” principle |
3 | What is Method? Giving information on General Teaching Methods and Special Teaching Methods(Music Teaching Methods) by explaining music teaching methods in historic process. Presentation of Curwen Hand Signs | Working on “hand signs” activities |
4 | The philosophy of Kodaly method, general lesson plan framework according to Kodaly and knowing the process of teaching a lesson | Sample lesson practice in accordance with Kodaly approach and listening the presentations of “hand signs” assignments |
5 | Orff approach and introduction of Orff instruments | Listening the presentations of “hand signs” assignments |
6 | Giving information on Orff teaching stages, how to do Orff arragements | Practicing nursery ryhme and sample Orff lesson |
7 | General revision before the exam | Body percussion practices |
8 | General Evaluation | Listening maps practices and giving the assignments |
9 | How should listening lesson be given, the introduction of the materials that can be used | Nursery rhyme practices |
10 | Nursery ryhme assignments | Sample practices in line with Dalcroze approach |
11 | Dalcroze approach, Dalcroze teaching stages | Suzuki lesson practices |
12 | Suzuki approach and philosophy | Presentation of listening maps assignment |
13 | Discussion on the similarities and the differences among Dalcroze, Kodaly and Suzuki approaches and teaching stages | Presentation of listening maps assignment |
14 | General revision before the final exams |
23 | Textbooks, References and/or Other Materials: |
BOSHKOFF, R. (1991, October). Lesson Planning the Kod?ly Way. Music Educators Journal, 30-34. BOZKAYA, İ. Okul Ortamında Müzik. Özhan Matbaacılık, 2001. CAMPBELL, P. S. & SCOTT-KASSNER, C. (1995). Music in Childhood. New York: Schirmer Books. CHOKSY, L. (1988). The Kod?ly Method. (2nd ed.). New Jersey: Prentice-Hall. EROL, O. ve KOÇAK, K.O. Karamela Sepeti. Morpa Kültür Yayınları, 2005. FRAZEE, J. (1987). Discovering Orff: A Curriculum for Music Teachers. New York: Schott. MANN, R. LOVELL, J. & TEKSE, P. (1998). Yayınlanmamış ders notları. Arizona State University, Tempe, Arizona. MORGÜL, M. Müzik Nasıl Öğretilir.Yurtrenkleri Yayınevi, 1999. ÖZEKE, S. “Kodaly Yöntemi ve İlköğretim Müzik Derslerinde Kodaly Yöntemi Uygulamaları.” Uludağ Üniversitesi Eğitim Fakültesi Dergisi 20(1), Bursa: Uludağ Üniversitesi Basımevi, 2007. STAUFFER, S. L. (n.d.) “The Music Leadership Letter: Orff-Schulwerk- A Process for Today” Issues and Trends in Music Education. Silver Burdett Ginn. |
24 | Assesment |
TERM LEARNING ACTIVITIES | NUMBER | PERCENT |
Midterm Exam | 1 | 35 |
Quiz | 0 | 0 |
Homeworks, Performances | 3 | 15 |
Final Exam | 1 | 50 |
Total | 5 | 100 |
Contribution of Term (Year) Learning Activities to Success Grade | 50 | |
Contribution of Final Exam to Success Grade | 50 | |
Total | 100 | |
Measurement and Evaluation Techniques Used in the Course | ||
Information |
25 | ECTS / WORK LOAD TABLE |
Activites | NUMBER | TIME [Hour] | Total WorkLoad [Hour] |
Theoretical | 14 | 2 | 28 |
Practicals/Labs | 14 | 2 | 28 |
Self Study and Preparation | 14 | 5 | 70 |
Homeworks, Performances | 3 | 6 | 18 |
Projects | 0 | 0 | 0 |
Field Studies | 0 | 0 | 0 |
Midtermexams | 1 | 2 | 2 |
Others | 0 | 0 | 0 |
Final Exams | 1 | 4 | 4 |
Total WorkLoad | 150 | ||
Total workload/ 30 hr | 5 | ||
ECTS Credit of the Course | 5 |
26 | CONTRIBUTION OF LEARNING OUTCOMES TO PROGRAMME QUALIFICATIONS | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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LO: Learning Objectives | PQ: Program Qualifications |
Contribution Level: | 1 Very Low | 2 Low | 3 Medium | 4 High | 5 Very High |