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Course Title: |
CLAVSEN II |
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Course Code: |
KNS4044 |
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Type of Course: |
Optional |
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Level of Course: |
First Cycle |
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Year of Study: |
4 |
6 |
Semester: |
8 |
7 |
ECTS Credits Allocated: |
3 |
8 |
Theoretical (hour/week): |
2 |
9 |
Practice (hour/week) : |
0 |
10 |
Laboratory (hour/week) : |
0 |
11 |
Prerequisites: |
None |
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Recommended optional programme components: |
None |
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Language: |
Turkish |
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Mode of Delivery: |
Face to face |
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Course Coordinator: |
Prof. Özgür ÜNALDI |
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Course Lecturers: |
Prof. Aylin ÇAKICI UZAR Prof. Beril ÇALGAN Prof. Özgür ÜNALDI Doç. Emre ELİVAR Öğr. Gör. Çağdaş ÖZKAN |
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Contactinformation of the Course Coordinator: |
Bursa Uludağ üniversitesi Devlet Konservatuvarı +90 224 2942742 bcalgan@uludag.edu.tr |
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Website: |
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Objective of the Course: |
To be able to know French, Italian and German school composers who composed for Harpsichord and interpret their harpsichord music |
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Contribution of the Course to Professional Development |
To gain artistic maturity by experiencing basic objectives and principles of different eras and styles |
Week |
Theoretical |
Practical |
1 |
An overview of the harpsichord pieces composed by J.C. Chambonieres. Practising the selected piece |
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2 |
An overview of the harpsichord pieces composed by F.Couperin |
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3 |
Analysing a selected piece by F. Couperin technically and musically |
|
4 |
Analysing a selected piece by F. Couperin tonally and by tembre. Practising on interpretation of the selected piece
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5 |
An overview of the harpsichord pieces composed by J.P. Rameau
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6 |
Analysing a selected piece by J.P.Rameau technically and musically
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7 |
Analysing a selected piece by J.P.Rameau tonally and by tembre
. Practising on interpretation of the selected piece |
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8 |
Comparing F.Couperin’s and J. P. Rameau’s harpsichord pieces technically and musically
|
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9 |
The mid-term exam. An overview of D. Scarlatti’s Sonatas
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10 |
Analysing a selected sonata by D.Scarlatti technically and musically |
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11 |
Analysing a selected sonata by D.Scarlatti tonally and by tembre. Practising on interpretation of the selected sonata |
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12 |
An overview of J.S.Bach’s harpsichord pieces |
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13 |
Analysing a selected piece by J.S. Bach technically and musically
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14 |
Analysing a selected piece by J.S. Bach tonally and by tembre
. Practising on interpretation of the selected piece |
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