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Course Title: |
ANALYSIS OF NATURALISTIC-REALISTIC PLAYS |
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Course Code: |
GSY3014 |
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Type of Course: |
Compulsory |
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Level of Course: |
First Cycle |
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Year of Study: |
3 |
6 |
Semester: |
6 |
7 |
ECTS Credits Allocated: |
2 |
8 |
Theoretical (hour/week): |
2 |
9 |
Practice (hour/week) : |
0 |
10 |
Laboratory (hour/week) : |
0 |
11 |
Prerequisites: |
to be successfull from the lesson with the name of Analysis of Romantic Plays |
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Recommended optional programme components: |
None |
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Language: |
Turkish |
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Mode of Delivery: |
Face to face |
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Course Coordinator: |
Dr. Ögr. Üyesi BANU ÇAKMAK DUMAN |
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Course Lecturers: |
yok |
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Contactinformation of the Course Coordinator: |
bcakmak@uludag.edu.tr, 0 224 543 10 15, U.Ü. Güzel Sanatlar Fakültesi, Mudanya/Bursa |
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Website: |
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Objective of the Course: |
The purpose of the course is to teach how to
approach to the text of play in terms of
analytical perspective; features of play in
terms of core and form, estimating author and
his era. The course aims at educating the
students to the level where they can discuss
artistry of any play. |
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Contribution of the Course to Professional Development |
The student learned all the developments about writing and acting in the period and reached the level of making all the comments and transfers of the period. |
Week |
Theoretical |
Practical |
1 |
Political, social and cultural conditions paving
way for Realism |
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2 |
General features of Realism and writers
included in this movement |
|
3 |
Analysis, writer-period, plot, action plan, style,
personification and conflicts of Strindberg’s
play named The Father |
|
4 |
Analysis, themes, historical soul, global soul,
setting, language, expression, dramatic
material of Strindberg’s play named The
Father |
|
5 |
Analysis, writer-period, plot, action plan, style,
personification and conflicts of Strindberg’s
play named Matmazel Julie |
|
6 |
Analysis, themes, historical soul, global soul,
setting, language, expression, dramatic
material of Strindberg’s play named Matmazel
Julie |
|
7 |
Emergence of Realism in Russia, Chekhov
and Stanislavsky’s works, view on text in
realistic acting |
|
8 |
general information |
|
9 |
Analysis, writer-period, plot, action plan, style,
personification and conflicts of Chekhov;s
play named Seagull |
|
10 |
Analysis, themes, historical soul, global soul,
setting, language, expression, dramatic
material of Chekhov;s play named Seagull. |
|
11 |
Analysis, writer-period, plot, action plan, style,
personification and conflicts of Chekhov;splay named The Cherry Orchard |
|
12 |
Analysis, themes, historical soul, global soul,
setting, language, expression, dramatic
material of Chekhov;s play named The Cherry
Orchard |
|
13 |
Analysis, writer-period, plot organization,
action plan, style, personification and conflicts
of Gogol;s play named Overcoat |
|
14 |
Analysis, themes, historical soul, global soul,
setting, language, expression, dramatic
material of Gogol;s play named Overcoat |
|